The STUDIO MAESTRO program is
modeled after the great European schools of ballet wherein students
progress through levels of training that are carefully designed to address
their physical, technical and artistic development. The syllabus at
each level progressively builds a solid technical and artistic foundation.
These schools have long-proven records of training the world’s
greatest dancers. This time-tested approach to training young dancers
is in the best interests of the student as well as the future of ballet.
At STUDIO MAESTRO our
curriculum is taught in seven levels, each of which has a specific set of
skills that the student must master in order to advance to the next level.
The school program is
divided into two levels. The
Lower
School
is a four level syllabus for students ages 8 to 12 years of age.
Students are offered comprehensive training in classical ballet and begin
pointe work in Level 4.
The
Upper
School
continues the comprehensive syllabus in classical
ballet for students 13 to 18 yearsofage. In addition to classical
ballet, they study pas de deux, variation,
repertoire.
In addition, students
will have an opportunity to perform in the workshop performances,
if they decide to enroll.
Auditions for
Lower
School
and
Upper
School
levels take place during the Summer Term.
Successful applicants are offered a place beginning in September.
Students are assessed regularly throughout each semester to monitor their
progress.
Our school year has
two semesters: September through January and February through mid-June.
The Artistic Director, in consultation with the principal faculty, makes
the assignments. Students are carefully placed in the appropriate
level based upon technical skills, physical development, strength and
age. Length of study is not necessarily a criterion for
placement. The physical and artistic well-being of the student is the
main consideration in determining level placement. It is not unusual
to spend more than one year in the same level.
At the end of our school
year, there is an examination in front of a jury composed of members of our
own faculty as well as guest jurors from companies such as American Ballet
Theatre and New York City Ballet.
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